About
Me

Since I was ten years old, the camera has been my means of expression. I film, photograph, and experiment – with images, movement, and language. Early on, I realized that this medium is more than just a tool for me: it’s a mirror, an amplifier, a form of resistance.

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My work revolves around the question of what it means to be human. I’m interested in how external influences – social, political, spatial – affect the body and mind. How bodies relate to one another. How closeness forms. Or distance. I’m often part of my own works – my body becomes a means of communication: in performances, self-portraits, as a character, an image, or a fragment.

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I work in fiction, but also occasionally in documentary formats – analog and digital, physical and theoretical. Research plays a central role in my process. I work with numbers, statistics, and academic texts – even when the outcome turns out surreal, ironic, or provocative. I’m drawn to structures. To power, language, and images. To the construction of reality – and how art can manipulate it.

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I see art as a collective process. I work across disciplines, seek dialogue with others, and integrate different perspectives into my projects. Through collaborative thinking and production, new forms often emerge – ones that defy clear categorization, and that’s exactly what fascinates me.

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As a filmmaker, my focus is on fictional cinema. I’m interested in new narratives, alternative production methods, and collective processes. I work as a screenwriter, director, and producer – constantly searching for hybrid forms between cinema, theater, and installation.

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My art is often personal, but never private. It is an attempt to share. An invitation to think, to feel, to disagree.